Andrew-By-The-Wardrobe - Hidden London by Jan Collie
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Shakespeare's London

Site of the Globe
Middle Temple Hall
Gray's Inn Hall
Southwark Cathedral
Blackfriars Playhouse
Bear Gardens
St. Andrew by the Wardrobe
Ireland Yard
The George, Southwark

Dickens' London
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Wandering Wheels

St. Andrew-By-The-Wardrobe
Queen Victoria Street, EC4

The plain design of Wren's last city church attracts very little attention despite its simple grace. Thrown further into the shadows by a noisy and fast-moving road, St. Andrew-By-The Wardrobe is even easier to ignore. Like a well-bred lady fallen on hard times, the church waits with quiet dignity for someone to stop and pass the time of day.

With its rectangular body and unembellished tower, St. Andrew's presents a no-nonsense image to the outside world. Its warmth is all on the inside, where a wealth of woodwork carved in traditional style adds a wonderfully restful feel.

Burnt down in the Great Fire and bombed out in the Blitz, today's church of St. Andrew is a complete reconstruction nestling within Wren's walls. The details - including the 17th century emblems on the ceiling - have been reproduced with particular care, so that it is difficult to tell that the church was out of use until 1961.

The history of St. Andrew's dates back to the thirteenth century when it was associated with Baynard's Castle, a royal residence that has long since disappeared. When King Edward III moved his state robes and other effects from the Tower of London to a large building close by, St. Andrew's became better known for its connection with the Great Wardrobe. The name stayed to specify its location although the King's store room is now only remembered in Wardrobe Place

One of St. Andrew's proudest boasts is its connection with Shakespeare. The playwright worked close by at the Blackfriars Theatre for at least 15 years and would have known the medieval church well. He eventually bought a house in Ireland Yard, which was also in St. Andrew's parish. In tribute to its most distinguished resident, the modern St. Andrew's now features a memorial next to the window in the west gallery. Carved in oak and limewood, the memorial includes one of Shakespeare's contemporaries, the famous lutenist, singer and composer John Dowland (1562-1626) who was buried in the churchyard of St. Ann's, Blackfriars. St. Ann's was not rebuilt after the Great Fire and its parish was afterwards merged with St. Andrew's.

In a rather fanciful scene, Shakespeare and Dowland are shown kneeling on a stage while cherubs hold back the final curtain. Between the pair at the bottom of the plaque is the following inscription:
'If music and sweet poetry agree, As they must needs, the sister and the brother... Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense... '
Appropriate though these lines may be in Dowland's case, they have only a slim link with Shakespeare. Although they come from The Passionate Pilgrim, a collection of verse published in 1599 with Shakespeare's name on the title page, this poem was in fact written by one Richard Barnfield.

As well as this recent addition, St. Andrew's has acquired several antique fitments over the past thirty years, most coming from other London churches destroyed in the last war. As a Wren church denuded of its original interior, it was lucky to get a replacement pulpit from the church of St. Matthew, Friday Street, which had been built in the same period. The font and cover also came from here. Among other treasures are a figure of St Andrew, dated around 1600, which stands on the north side of the sanctuary and an unusual figure of St Ann who is shown holding the Virgin Mary who in turn holds the Christ child. This statue, which is probably north Italian, dates to around 1500.

St. Andrew-by-the-Wardrobe is open to visitors 8.30 am - 6 pm Monday to Friday. Services are held at 12.35pm Monday to Thursday, 8.30 am. Friday and 10 am. Sunday.

There is no entrance charge but donations are welcome.

Blackfriars (District & Circle Lines)

Copyright Jan Collie 2002
Published by permission of the author.
All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission.